coral empire underwater oceans colonial tropics visual modernity

In addition, the book is beautifully printed, with black-and-white images embedded in chapters and their color counterparts inserted in the middle of the book. She cleverly articulates them through a set of unexpected global connections that powerfully mobilise all the transforming ideas of empire, race, technology and nature at the time.' - Martyn Jolly ― Australian Historical Studies 'This book is well written and the short chapters make it extremely readable. Elias focuses on long neglected images from cinema, dioramas from museums, and illustrations from the press. Elias combines the history of underwater cinematography and diving with attention to the surrealist art movement, natural history collecting, colonialism, and the history of tourism, and through this rich patchwork traces shifting popular interpretations of coral imagery in the early twentieth century.' - Antony Adler ― Environmental History 'Ann Elias’ fascinating book couldn’t come at a better time. ' Coral Empire ’s postcolonial jeremiad also registers the joyful endurance of surrealist visions of the submarine as a deliriously consciousness-altering realm.' - James Delbourgo ― TLS ' book shows that interdisciplinarity is possible. As Elias demonstrates, their reckless treatment of the sea prefigured attitudes that caused the environmental crises that the oceans and reefs now face. Using the labor and knowledge of indigenous peoples while exoticizing and racializing them as inferior Others, Williamson and Hurley sustained colonial fantasies about people of color and the environment as endless resources to be plundered.

In Coral Empire Ann Elias traces the visual and social history of Williamson and Hurley and how their modern media spectacles yoked the tropics and coral reefs to colonialism, racism, and the human domination of nature. In the 1920s John Ernest Williamson in the Bahamas and Frank Hurley in Australia produced mass-circulated and often highly staged photographs and films that cast corals as industrious, colonizing creatures, and the undersea as a virgin, unexplored, and fantastical territory.

From vividly colored underwater photographs of Australia's Great Barrier Reef to life-size dioramas re-creating coral reefs and the bounty of life they sustained, the work of early twentieth-century explorers and photographers fed the public's fascination with reefs.

Coral empire underwater oceans colonial tropics visual modernity